Typographic anatomy plays a big part in our designs. When we vertically center icons with type, we’re usually centering based on the cap height (if the first letter is uppercase) or the x-height (if the first letter is lowercase). Or baseline and cap height can be combined to create a playful container for smaller type. It often helps align your type with the top edge of pictures. The baseline is also helpful for creating vertical rhythm, which may make it easier for readers to jump from line to line, paragraph to paragraph, and section to section.Īnother bit of frequently used anatomy is cap height, the top of capital letters. But to help with readability, both the place’s name and address share a baseline. To help you focus on the most important information (a place’s name), the typographer has set the address in a smaller type size and a lighter color. For example, the search suggestions in Google Maps contain both a place’s name and address. When we practice typography by arranging type on a page or screen, we’re often leveraging different bits of anatomy to create readability and beauty. Then there’s that imaginary line that all letters “sit” on (baseline), the tops of capital letters (cap height), and the tops of lowercase letters (x-height). As the example below shows, the curve of an “s” is called the spine-or the white space inside an “a” or “o” is the counter. There’s an anatomy behind the letters that makes up this sentence. To understand how, we first need to talk about the anatomy of type. But they could-and it could change the way you design. Similarly, while design and development tools use font metrics under the hood, they don’t often expose them to their users. Maybe this is the first time you’ve heard of font metrics. Your computer is constantly using font metrics, but as a designer or developer, you probably don’t think about them in your day to day. The metrics for lato.ttf, viewed with, then visualized. Visualizing a font’s metrics, it looks a lot like guidelines in Sketch or Photoshop. #BACKGROUND IMAGE BIRDFONT HOW TO#To describe how all those individual glyphs should be assembled together into words, sentences, and paragraphs, typeface designers encode the font with metrics.įont metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other. Computers read a font file in order to render glyphs on your screen as pixels. #BACKGROUND IMAGE BIRDFONT SERIES#A font is a digital representation of a typeface that consists of a series of glyphs (commonly called letters or characters). Whether you’re a designer or a developer, learning more about how fonts work can open new doors in how you work and what you create. Font files contain a wealth of information about a typeface.
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